I myself couldn’t resist getting an M-Audio Firewire Solo so I could use protools on my laptop, therefore installing an M-Audio device was familiar ground for me. Then there are also the 2 optical ADAT I/O, 8 ¼” TRS analog line outputs and 8 Combo XLR/TRS jack inputs. The originality of the interface lies in its breakout cable which includes: 2 × 2 S/PDIF coaxial input/output wordclock and MIDI input/output. There are two 6-pin FireWire cables for connecting the device and to connect a hard drive or other IEEE1394 device. The power button is also on the front panel and the small blue light (a favorite of M-Audio’s) stops flashing when the card is recognized by the computer.ĭue to a lack of space, I imagine, power for the interface is provided by an external 12V 3.5A power supply. Next are the two headphone outputs with separate levels knobs and the user-assignable master volume knob. It’s too bad they’re linked in such way, but it does save a lot of space. Phantom power is activated in groups to either inputs 1 to 4 and/or 5 to 8. Phantom power is activated via 2 small switches. The Push/Pull system for attenuating –20dB for each knob is a good idea and nicely implemented, but using it is a little unnerving: the push/pull mechanism doesn’t give a lot of resistance, one wonders if they’ll still work in a few years.
Each Gain knob has a green LED which signals the presence of a signal and a red clip LED.
You can switch between instrument and microphone inputs via the Mic/Inst switch. The first two are 1/4” (TS) instrument input jacks suitable for bass/guitar/keyboard, which give the direct sound of the untreated instrument (like a DI). The front panel has 8 knobs which control the Octane preamps. In short, it immediately gives off a good impression and the weight of the device is reassuring. The interface is a classy black rack 19" 1U. The box contains: a 12V 3.5A power supply, a Firewire cable, and a breakout cable (with MIDI, wordclock, and coaxial S/PDIF connectors). There are enough inputs & outputs to put down your tracks without a problem. The product we’ll be reviewing is the M-Audio Profire 2626 digital audio interface, which has the following specs:īasically, it’s got a lot of nice features which, for an average price of USD 899.95 MSRP (around $699 average street price), could be a very good alternative for people who want to mix with an analog or digital console.
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This Protools version allows Home studio owners to use this “legendary” software and create sessions that are compatible with TDM versions, something which had already been possible with Digidesign cards (like MBox, DIGI002, DIGI003) but which has now become more affordable thanks to M-Audio. Bought in 2004 by Avid, which also owns Digidesign, M-Audio now offers sound cards that are Protools M-Powered compatible. M-Audio has been releasing quality products at very attractive prices (even aggressive prices) for some time now: microphones, MIDI controllers, sound cards and other Home Studio accessories. With no fewer than 26 inputs, 26 outputs, 8 integrated Octane microphone preamps, and ProTools M-Powered compatibility, the latest interface from M-Audio aims to find its niche in the category of intermediate-level FireWire audio interfaces.
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